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Alternative Music

Alternative Pop/Rock is essentially a catch-all term for post-punk bands from the mid-'80s to the mid-'90s. Though there is a variety of musical styles within Alternative Rock, they are all tied together since they existed outside of the mainstream. In some ways, there are two waves of alternative bands, with Nirvana's success in 1991 acting as a dividing point. In the '80s, most alternative bands were on independent labels; if they were on majors, they didn't receive as much support as most of the label's mainstream acts. During the '80s, alternative included everything from jangle pop, post-hardcore punk, funk metal, punk pop, and experimental rock. After Nirvana's popularity in the '90s, alternative included all of these subgenres, but many of the edges were sanded off because the music was now being marketed as part of the mainstream. Hard rock and punk-derived music were more commercially successful than the left-of-center pop that dominated late-'80s alternative pop/rock, so alternative lost some of its quirkier tendencies in the '90s. Most experimental bands were relegated to indie rock.

Almost since its birth, alternative music has been criticized. As with anythin


g that is criticized, there are positive comments and negative comments. Unfortunately, many critics only had negative comments for alternative rock and its various subgenres, such as heavy metal. Here is one example, an excerpt from Heavy Metal in response to a claim that he title of the song "Suicide Solution" implies that suicide is the solution to a problem:

Dance music comes in many different forms, from disco to hip-hop. In the late '70s, dance clubs played disco, but by the end of the decade, disco was evolving into a number of different genres. All of the genres were collected under the catch-all term "dance," though there were distinct differences between dance-pop, hip-hop, house, and techno, among other subgenres. In its purest form, Rock & Roll has three chords, a strong, insistent back beat, and a catchy melody. Early rock & roll drew from a variety of sources, primarily blues, R&B, and country, but also gospel, traditional pop, jazz, and folk. Soft rock emerged in the early '70s, partially as a reaction to the extreme sounds of the late '60s. Soft rock was commercial and inoffensive, taking the sound of singer/songwriter and pop/rock but smoothing out all the edges.

Primarily an extension of alternative/independent rock, Sadcore is slow, fragile and gut-wrenching music made by and for the depressed. Themes of heartbreak, loss, and misery dominate the lyrics, and the music itself is resolutely downbeat - the acoustic guitars that once defined '70s-era singer/songwriters certainly resurface here, but much of the music is far more dissonant and intense, conjuring much darker atmospheres and textures.A subgenre of alternative/indie rock, noise pop is just what it says - pop music wrapped in barbed-wire kisses of feedback, dissonance, and abrasion. It occupies the halfway point between bubblegum and the avant-garde, a collision between conventional pop songcraft and the sonic assault of white noise. Noise pop often has a hazy, narcotic feel, as melodies drift through the swirling guitar textures.

This is just one example of the many accustations critics have for alternative rock music. Al Gore even interviewed soft rock legend John Denver on the subject.

Some topics in this essay:
Math Rock, British Invasion, Eventually R&B, Alternative Rock, Day Weezer, Punk Rock, Don't Know', Rock Roll, Basics Dance, Hawkwind Space, alternative rock, rock roll, heavy metal, hard rock, indie rock, british invasion, soft rock, 'suicide solution', depressed themes heartbreak, fragile gut-wrenching, gut-wrenching music, themes heartbreak loss, music depressed themes, gut-wrenching music depressed, fragile gut-wrenching music,

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Approximate Word count = 2063
Approximate Pages = 8 (250 words per page double spaced)


  

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