on art are the Great Sphinx and the Pyramids of Chefren. The massive size and artistic perfection of these works, which were mainly dedicated to expressing the divinity of the Pharaoh, show that Egyptian society was based primarily on mythological law. The highly idealized, mythological style of Egyptian art suggests that Egyptian culture as a whole was not concerned with scientific and mathematical truths. Arts reflection of culture and society extends to the Greek and Roman empires, and shows the importance of intellectualism within each culture. It is apparent that from the beginnings of Greek art, meticulous order and precision were held on a high plateau. The Protogeometric and Geometric periods are good examples of such advanced thinking. The beginnings of the Protogeometric period display a distinct interest in mathematical order. During this period, artists decorated vases with circles and symmetrical patterns. As the dominant style changed from Protogeometric to Geometric, this order and precision was amplified. The popular “circle and semicircle patterns were replaced by linear designs, zigzags, triangles, diamonds, and meanders” (Cunningham and Reich, 40). The increased interest in order seems to have been a reflection of the Greek fascination with nature, and man’s relationship to nature. This interest in the order of nature eventually evolved into a fascination with the human form and the idea of human perfection. The way in which the perfect human form was portrayed by Greek artists was of a highly intellectual nature. The early sculptors of the period explored basic human anatomy and its aesthetic value, creating such sculptures as the Kritios Boy, of the Acropolis. The precision and realism of this sculpture cap

Some topics in this essay:
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