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The Transmediation of Calligraphy

The art of calligraphy embodies the essence of the Tao Te Ching written by the ancient Chinese philosopher Lao Tzu. The art of calligraphy continues to transmediate it’s presence throughout various cultures even in today’s modern world. The nature of calligraphy as not only a work of art, but also the embodiment of the creative force in the individual strikes a deep chord with people today in all cultures. Calligraphy’s blending of ritual and continuity with personality and innovation reflect the Taoist ideal and the sacred text of the Tao Te Ching in finding the way, the path, or the true “Tao”, the search to define ourselves both as individuals and within a larger spiritual and historical context.

Transmediation can be defined as a process of moving information from one communication system to another (Harste, Burke, & Short, 1988). This process encourages learners to generate new meanings and to expand existing ones. Through the art of calligraphy, the ancient words of Lao Tzu and his belief in Taoism continue to transcend cultural and generational differences. Lao Tzu writes in the Tao Te Ching,

“The Tao is hidden deeply in all things.


Taoism implies that life should be lived simply, with the goal of becoming one with the Tao. The Tao Te Ching states:

Chinese scripts are generally divided into five categories: the seal character (zhuan), the official or clerical script (li), the regular script (kai), the running hand (xing) and the cursive hand (cao). All over China, decorative calligraphy can be found in temples, adorning the walls of caves and on the sides of mountains and monuments. Walter Harrist comments that “When the calligrapher’s art is mature, his work is a grand display of linear ecstasies.” (Calliope, 2000).

Some topics in this essay:
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Approximate Word count = 1719
Approximate Pages = 7 (250 words per page double spaced)


  

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