One cannot describe the “rebirth” of lifelike art without first describing its predecessor, therefore to understand the full glory of the Renaissance, a short explanation of the Middle Ages is needed.

During the Middle Ages, art had strayed from elaborate depictions of great mythological stories and beautiful scenes from the bible, to images of humans as corrupt beings and scenes of judgment and salvation from the bible. It was not permitted to paint nudes during this period; moreover the clothed figures were done with blatant ignorance to anatomy. Art during this period was used as an aid to the church; therefore whatever was boorish or sacrilegious was destroyed. A change came from Italy in the mid 1400s when Masaccio burst onto the scene embodying all the qualities that make the Renaissance the rebirth and rediscovery of Greco-Roman art and literature. However the Renaissance did more than rediscover Greco-Roman technique, it surpassed it due to advances in science and technology, specifically pertaining to anatomy and perspective. As time passed this artistic movement spread across Italy to Venice and Rome, and by the Sixteenth century the rest of Europe. A short period kn

Some topics in this essay:
Late Renaissance, Sixtus IV, Middle Ages, Greeks Romans, Titan Cronus, Jesus Christ, Zephyr Chloris, Mariano Filipepi, Botticelli's Venus, Sandro Botticelli, sandro botticelli, oil based paints, sixteenth century, birth venus, light shadows, due poor, middle ages, lifelike art, piece noticed, coming forth, based paints,