In this research I will look at the history of virtual technology, and its cultural forms and the role of it.

First I would like to review what virtual reality is. Generally, there are two ways to define Virtual Reality board and narrow. In the board sense, virtual Rea

The technologies that have made Virtual Reality possible have come about in the last ten years. The last ten years have seen advancements in areas that are absolutely important to the Virtual Reality. These include the Liquid Crystal Display (LCD) and Cathode Ray Tube (CRT) display devices, high performance image generation systems, and tracking systems

The start of Virtual Reality can be traced back to inventions like the Stereoscope, invented in 1833 by Sir Charles Wheatstone. This was the first device that preceded modern Head Mounted Displays (HMD). The Stereoscope consisted of two "stereo pairs," that is, two drawings of the same object, but at slightly different angles. The resulting effect on the user was to create the illusion of a three-dimensional image. In 1844, David Brewster expanded this design and added half-lenses in order to combine the two pictures into one frame (COMM12022 Cultural technologies web site). The invention of the three-dimensional movie process was an important development. The first attempt at 3D film was by MGM in 1937 ¡®The Third Dimension Murder¡¯. But there was not a revival of 3D movies until the 1950s. In 1962, inventor Morton Heilig created the Sensorama Simulator frame (COMM12022 Cultural technologies web site). It was a quite big impact for viewers viewing of the colour stereo film with binaural sound, scents, wind; vibration. The next device of Virtual Reality was "ultimate display" that has been devised by Ivan Sutherland in 1964. It would include interactive graphics. It would also incorporate audio, smell and taste. In 1966, Sutherland started the idea of the graphics accelerator, a perfect part in modern virtual simulation. The military quickly recognized the potential of this idea in flight simulation, and spent most of the time designing helmets that could simulate a view of flight. Also, NASA began research on using the technology for space flight, and later, moon landings. Their Virtual Interactive Environment Workstation (VIEW) project incorporated head and hand tracking, a monochrome wide field-of-view stereo HMD, speech recognition, 3D audio output, and a tracked and instrumented glove. The company VPL now produces many ideas devised by VIEW, including the DataGlove, the EyePhone HMD, and computerised clothing frame (COMM12022 Cultural technologies web site).

Architects could be the latest advances in Virtual Reality technology that is of particular interest to. The concept of virtual architecture has only recently appeared with the ability of computer imaging technology to accurately simulate three dimensional realities. The technique of simulating three dimensional realities is known as virtual reality. This technique is invaluable to modern architects, as it allows them to simulate most scenarios that they will encounter during the design, construction, and eventually the life of the structure they are attempting to build. Virtual reality allows architects to essentially create their structures and test them without wasting any of the resources necessary to complete the structure in reality

lity describes a range of experiences that a person interacts with and explores a computer simulated spac

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