Michelangelo’s fresco on the ceiling of the Sistine Chapel is a biblical timeline that was commissioned to illustrate the political dominance that Rome possessed at the turn of the 16th century. The painting on the Sistine ceiling contains many male nudes which are central parts of th

In some of the margins of the fresco on the Sistine Chapel ceiling, Michelangelo began experimenting with different styles of the male nude. The ignudi of some of the secondary scenes was where this experimentation took place. These ignudi were somewhat obscured, took up unpredictable amounts of space, and intimated towards a different presentation of the male nude that would be put forth in the Last Judgment. Michelangelo’s style of male nude that is offered in the Last Judgment is one that completely differs from those used in his earlier painting on the Sistine Chapel ceiling. The male nudes of the Last Judgment are explosive, fragmented figures which appear to be able to express their entire body at any moment. In the Last Judgment, the figures have such highly defined, muscular bodies that the internal muscles seem to be nearly ripping out of the nude men’s skin. Unlike the Sistine ceiling, the male nudes of the Last Judgment are entangled

Some topics in this essay:
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