New Zealand Film New Zealand Film : Stereotying
The International Film Industry is primarily a business that entertains. To be successful it attempts to follow traditional, tried and proven methods; the Hollywood ‘block busters’ with known stars, directors and sensational (yet familiar) story lines, perhaps with a new twist. Within the genres’ the tools most often used are sex, violence and tension. Unfortunately, this methodology and repetition has developed a Hollywood film culture that perpetuates stereotyping and myths: good triumphs over evil, the happy ending, the rewards of capitalism, the white male hero, the need to be protected female, her vulnerability and sexuality. Wether this is a reflection of societal attitude, desires, fantasy and / or that of the film machine itself. Nevertheless, they generate and reinforce stereotypes. This is particularly noticeable in the way woman and ethnic minorities are portrayed in many films and treated in society. New Zealand is very much a film going nation and audiences have been bombarded with the Hollywood stereotypes and myths since the early 1950’s. This has not only created myths but also reinforced many of the embedded perceptions left from early colonialism.
Some topics in this essay:
Whale Rider,
Film Industry,
Pakeha Maori,
Maori Pakeha,
Zealand Gods,
Lee Tamahori’s,
Merata Mita,
According Makerie,
Maoritanga Maori,
Niki Caro,
whale rider,
zealand film,
modern maori,
maori warrior,
maori women,
own cultural experience,
film industry,
own cultural,
depicted maori,
stereotypes myths,
cultural experience,
theme whale rider,
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Approximate Word count = 1892
Approximate Pages = 8 (250 words per page double spaced)
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