1. “‘Your have to be pretty brain dead` to be involved in film at this time and not realize that we are going through a very serious evolutionary step in how we acquire images’” (Austin), said Rick McCallum, producer of “Episode II: Attack of the Clones.” Like McCallum, other directors and producers are jumping on the digital band-wagon. The special effects and images desired by directors can now be achieved with this new technology. Such movies as “Harry Potter and the Sorcerer’s Stone” and “Lord of the Ring: Fellowship of the Ring” use digital images to improve scenery and even make imaginary characters. On reference to the cost-cutting ab
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