Italian Art
Italian art history begins in Rome during the first through the fourth centuries. The birth of Christian religious architecture based on Roman prototypes, was developed. Resident in Sicily were the Arabs who Paladino 2 introduced styles of oriental magnificence such as Palarmo's Palantine Chapel. According to John White in Art and Architecture in Italy 1250-1400, impressive central plans, lavish materials, sumptuous color, mysterious lighting, and stylized representation describe such works as Ravenna's San Vitale and St. Marks Basilica. The Italian Romanesque was concentrated in Lombardy, Tuscany, and Southern Italy. The Lombard architecture was known for large vaulted churches made of elaborate exterior brick. In Tuscany, Pisan architecture superimposed tiers of marble cascades as in the Pisa Cathedral. The Cefalu and Monerale Cathedrals in Sicily are representations of southern Italy architectures. French architects employed by the Normans, who had conque
Paladino 5 Reflecting Venice is relatively better economic and political stability, Venetian Mannerism was less extreme. The inventive extension of classical usage by Palladio had a major impact on later English and American architecture (Wittkower 26, 27). The dramatic use of light by Tintoretto influenced Italian architecture to come. Along with all this, it was the works of Veronese that elaborated the Venetian concern with color, and lavish settings. According to Michael Baxandall in Painting in the 20th Century, the Mannerist architects such as Giulio Romano employed classical motifs in an odd and strange way. Romano preferred to use vague relationships and strange ornamentation. Such painters as Pontormo, Parmigiannio, and Bronzino responded to the conflicts and dislocations of their age by emphasizing the unnatural and irrational. Compositions were elongated, compressed, asymmetrical, and entangled (Baxandall 89, 92, 93, 94). red Sicily from the
Some topics in this essay:
English American,
Verona White,
Parmigiannio Bronzino,
Bramante Michelangelo,
French Roman,
Pazzi Chapel,
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Architecture Italy,
Battista Alberti,
Giulio Romano,
italian architecture,
sicily arabs,
florentine architects,
middle ages,
southern italy,
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Approximate Word count = 648
Approximate Pages = 3 (250 words per page double spaced)
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