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Pieta

This subject appeared in both Gothic and Renaissance art. Even though it wasn’t until the renaissance that it was fully explored and brought to life and gave feeling to its audience. It has been done in a few different mediums. This subject takes two religious icons and depicts a story that is not told in religious script. The Pieta, which stands for piety and pity, is the depiction of the Virgin Mary, with her only son Jesus Christ after he was taken down from the cross. Michelangelo’s Pieta c.1500 was the most refined and the most moving of them all.

When it was sculpted Michelangelo set out to create “the most beautiful work of marble in Rome, one that no living artist could better” (New York: Abrams, Inc, 2001) 438.

Michelangelo’s, sculpture is one of realism. When an artist wants to move an audience, they first need to have a connection with the piece, and the best way through this is realism. In this piece you are meant to contemplate the central mystery of Christian faith- Jesus as god in human form who sacrificed himself to redeem our sins- with the same serenity as Mary herself. Thus seems to be the main focus of this sculpture, along with the facial expressions, the clothing on both the Virgin and Christ a

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Abrams Inc, Virgin Mary’s, Virgin Mary, Michelangelo’s Pieta, Gothic Renaissance, Roettgen Pieta, Rome Pieta, Middle Ages, Renaissance Gothic, Leonardo Raphael, inc 2001, abrams inc 2001, york abrams inc, york abrams, abrams inc, body christ, absolute beauty, virgin mary, michelangelo’s pieta, seven sorrows, michelangelo’s sculpture, main focus,

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Approximate Word count = 1256
Approximate Pages = 5 (250 words per page double spaced)

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