The story of Macbeth is one of a tragedy. This play depicts human actions having inevitable consequences. Macbeth’s bad deeds, mistakes, and crimes are never forgiven or rectified. Macbeth clearly shows how a character can change as a result of what he does. His downfall from the beginning up to his final demise marks an epic story of greed, envy, and ultimately guilt.

Macbeth’s wife pushes for death. This is a main key in the build up of Macbeth finally choosing his fate. Such as in Act I, Scene 5, lines 60-61: “Your face, my thane, is as a book where men/May read strange matters. To beguile the time.” Here Lady Macbeth is more or less praising Macbeth and telling him he could get away with the murder of the king. Another good point occurs in Act I, Scene 7, lines 70-72: “Th’ unguarded Duncan, what not put upon/His spongy officers, who shall bear the guilt/Of our great quell?” Already, Lady Macbeth is hinting at ways to cover up

Macbeth has his set backs, but knows what has to be done. Once Macbeth has his mind where he wants it, it seems as if he has a drawback. In Act II, Scene 1, lines 33-34: “Is this a dagger which I see before me,/The handle toward my hand? Come, let me clutch thee.” These lines are Macbeth’s admittance to knowing what he is going to do. As Macbeth’s speech to himself continues, a bell rings—resembling a death bell that is rung at funerals. This is a great example of how a tragedy will take place. In Act II, Scene 2, lines 62-64: “I go, and it is done: the bell invites me./Hear it not, Duncan, for it is a knell/That summons thee to heaven, or to hell.” After committing the vile murders of both the King and the guards, Lady Macbeth and Macbeth are confronted with the news. Lady Macbeth plays it off with great surprise, as shown in Act II, Scene 3, lines 82-83: “Woe, alas!/What, in our house?” Macbeth, too, also plays the situation very well. In Act II, Scene 3, lines 87-88

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