The point of view in East of Eden shifts from third-

Figurative language in East of Eden produces a cadence to the words, like drums to a guitarist. The metaphors not only bring a rhythmic flow to the language, but they also convey meaning to the reader. For instance, Abra calls Aron’s idealistic vision of a woman a “white ghost” (493). Aron views the world rather unrealistically; as Cal says, he finds it unbearable to witness a sin or an evil, or even hear about it. His fake world results from his inability to, or perhaps more accurately, his intentional desire of not wanting to comprehend human nature. He refuses to believe anything bad about anyone, especially his mother. This problem causes much distress to him, but he still avoids seeking a solution. He might have laid out his choices: either he could accept the real world and learn to live in it or he could hide from the realities of life. Unfortunately, he acts hastily, and without thinking, chooses the latter. His weakness takes him to such an extent that when he finally finds out the reality about his mother, he loses all interest in life, enlists in the army, and dies soon, most probably with intent. Not for one moment does he examine his problem or try to change himself. Overall, Aron exemplifies the fate of one who acts solely on impulses and does not take a step back to scrutinize a situation for wiser and more sensible possibilities.

Some topics in this essay:
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