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Casablanca

The hero in a film is the character that seeks something, in Casablanca is not entirely clear who this is; it is most probably Rick Blaine played by Humphrey Bogart, though it seems in parts that it could be Victor Laslo (Paul Henreid) or Isla (Ingrid Bergman). Laslo isn’t followed enough to make him the hero and Isla seems like the hero though in the end she asks Rick to make all the decisions, which puts her more in the background than you would expect the hero to be. Rick Blaine at the start of the film is really not seeking anything, which makes it less clear that he is the hero, however I think this is because the anger he feels because Isla abandoned him. It is only later, when he resolves these bitter feelings he holds within, that his goals resurface.

Major Strasser (Conrad Veidt) represents the villain, who is against the hero, but Renault (Claude Rains) at times also acts as a villain (his manipulation of women in need of a exit visa, for instance).

The donor, who provides an object that has some magic property, is Ugati, who provides Rick with the letters of transit.

The dispatcher, who sends the hero on his way by providing a message, is hard to define, Renault kind of fills the role, as he tells Rick of Laslo's

Some topics in this essay:
Victor Laslo, Rick Strasser, Goes Buy, Laslo Isla, LOVE STORY, Victor Isla, CASABLANCA THRILLER, Claude Rains, Tzvetan Todorov’s, Rick Blaine, victor laslo, laslo isla, repair damage, 2 disruption event, 3 recognition disruption, hero rick, 3 recognition, equilibrium letters, todorov’s theories, 5 return equilibrium, characters oppose, attempt repair damage, casablanca love, victor laslo isla, recognition disruption,

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Approximate Word count = 1284
Approximate Pages = 5 (250 words per page double spaced)

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