In an unpredictable, tumultuous era, the stern, staid figure of Queen Victoria came to represent stability and continuity. The adjective "Victorian" was first used in 1851 to celebrate the nation's mounting pride in its institutions and commercial success. That year, the global predominance of British industry had emerged incontestably at the original "world's fair" in London, the "Great Exhibition of the Works of Industry of All Nations," which Prince Albert helped organize. Arrayed for the world to see in a vast "Crystal Palace" of iron and glass, the marvels of British manufacture achieved a regal stature of their own and cast their allure upon the monarchy in turn. In the congratulatory rhetoric that surrounded the event, the conservative, retiring queen emerged as the durable symbol of her dynamic, aggressively businesslike realm. In succeeding decades, the official portraits of Queen Victoria, gradually aging, reflected her country's sense of its own maturation as a society and world power. Etched by conflict with her prime ministers, the birth of nine children, and the early death of her beloved Prince Albert, Victoria's

Some topics in this essay:
Florence Nightingale, Chronicle Barset, Queen Victoria, Mudie's Eventually, Felix Holt, Henry James, Industrial Revolution, Ellen Ternan, DANIEL DERONDA, Jude Obscure, george eliot, charles dickens, queen victoria, vanity fair, silas marner, william makepeace, oliver twist, westminster abbey, david copperfield, monthly magazine, vanity fair 1847-1848, thackeray's vanity fair, mary ann evans, novel development central, buried westminster abbey,