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Elam research paper

The Seated Baboon is a small gypsum sculpture measuring about four inches in height and currently resides in the collection at the Los Angeles County Museum of Art. Dating from the later half of the third dynasty of the Elamite period, which was located in modern day Iran. This sculpture in the round, is unique to most of the Elamite art that we have record of. Elam as a culture itself is only recorded in history due to their enemies and successors, therefore what we know of them as a culture is slightly biased. However, historians do know that most of their culture dealt with conquering neighbor enemies and thus assimilating elements of those cultures into their own. This Seated Baboon reflects this integration of neighboring and overthrown cultures but still has reflections of their own cultural characteristics. The purpose of this paper is to show how the political actions of the Elamites define them as a people, and how that definition is reflected in this small sculpture. This paper will focus on comparison of this statue to the votive figure of Egypt as well as incorporating unique ideas of the Elamite people, each coming from the connection to mass conquest and assimilation of their cultural elements. Therefore the d


Many people said that the Elamites did not have any unique characteristics as a culture because they concentrated so hard of conquest. However, the Seated Baboon shows the fact that the essence of the Elamite culture was in incorporating the specialized characteristics of their conquests and their own ideals that came from their idea of what was aesthetically pleasing as well as their religion. Although the Elamites disappeared after the rise of Nebacanezzer I , we are able to draw conclusions about them with their art and the documented texts of the Babylonians and Assyrians.

Kutir-Nahhunte’s brother Ishushinak, also had a very important conquest under his rule that solidified the influence of Egypt and Mesopotamia culture on Elam. This was the overthrowing of the Kassite people who were in extreme contact with the Egyptians during the Amarna period. After this conquest the arts in Susa climaxed. Bronze fertility goddesses of Kirinsha became popular. Also the emergence of showing gods in animal form became popular. This could be part of the reason that the baboon became a figure that was portrayed as a worshiping item. Another popular aesthetic of the Elamites was pottery. The Elamites perfected the art of glaze ware and glass decorations. There were many large round pottery pieces that have glass embedding and black line decorations. Also, unique to the Elamites, they did not use handles and preferred large round figures. These elements are reflected in the baboon sculpture. The Seated Baboon has round fleshy figures with no harsh lines, and the only decoration is black coloring of the eyes and small incised lines.

Their were many great conqu

Some topics in this essay:
Seated Baboon, Sumerians Akkadians, Egyptians Amarna, Art Dating, Kutir’s Elam, Susa Elam, Pharaohs Egypt, Code Hammurabi, Egypt Mesopotamia, King Kutir-Nahhunte, seated baboon, incised lines, defined incised lines, simple features, baboon figure, elamite culture, votive figures, beliefs ideals, elamite art, defined incised, king kutir-nahhunte,

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Approximate Word count = 1130
Approximate Pages = 5 (250 words per page double spaced)


  

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