Special effects in the 1920’s
In today’s movies it isn’t uncommon to see some sort of digital effect or C.G.I. (computer generated image(s)) in almost every movie. This is today’s most common special effects method especially with movies like “The Matrix” and “The Lord of the Rings” where the objective of the special effects is to bend and redefine what is possible in these new worlds. Where did it all start though? What did cinematographers and directors do before we had computers to alter images and create effects? Since there are hundreds of different kinds of special effects used in movies, which tend to be mostly different kinds of camera shots, I will only go over three that made a large impact on the special effects industry and that were used in films we saw in class, specifically “The Gold Rush” staring Charlie Chaplin. Double exposure was one of the first special effects ever conceived. It is a very simple and primitive way of creating the effect of transformation from one object to another or to make an object vanish into thin air. This effect is very simply executed. Placing your camera on a tripod is easiest. Film your first shot. Then rewind your film to where you want the transformation to occur and film your second s
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Charlie Chaplin, Gold Rush”, Thief Baghdad, Chaplin Double, Super Sculpey, Lord Rings”, Jim Suddenly, Pharos Productions, Run” Stop, , special effects, stop motion animation, “the gold, gold rush”, motion animation, lone prospector, stop motion, miniature set, “the gold rush”, charlie chaplin, double exposure, miniature sets, gold rush” miniature, shot “the gold, double exposure effect,
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Approximate Word count = 1066
Approximate Pages = 4 (250 words per page double spaced)
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