Icons and Orthodoxy
From the iconoclasm to the modern functions of images in ecclesiastical life, icons have known a culturally, politically and spiritually controversial existence. During the Byzantine period between 726 and 843 , a struggle brewed between the faithful icon lovers, iconophiles, and the icon-destroying iconomaches.1 Despite the magnificent workmanship and sacred tradition that icons provide to the pious worshipers, opposing iconomaches argue that they contradict the Biblical scriptures as being a form of idolatry. Finally, in March of 8431, in the name of her son Michael III, empress Theodora decisively restored the veneration of images to the Byzantine Empire. Consequently, the Eastern Orthodox faith, one of the major Christian religious denominations, perceives the inclusion of icons within their divine liturgies to offer a window on heaven from which the archetype of the image is able to affect the earthly world. In the practice of its holy rituals, Orthodox theology attests that “the icon [is] the true key to understanding the Orthodox dogma”(Benz 19). According to their creed, Orthodox Christians claim that icons can have curing properties or can even be utilized as a phylactery1 by which evil can be kept at bay. Eve
Finally, certain pious believers of the Eastern Orthodox religion trust in the miraculous appearance of icons, also referred to as images “not made by hands” (Benz 7). Besides the literal implication of the word icon, one can consider Christ himself to be, in sort, an icon. According to Saint John of Damascus, an “image is a likeness, an exemplar or figure of something” by which Christ can be considered the icon of God.1 This being, as per Eastern Orthodoxy, was not created by the hands of any painter but miraculously emerged of an immaculate conception and, with allusion to icons, represented the holiness of God in heaven, just as icons epitomize their sacred archetypes of the celestial world. Icons also have a counterpart in the relationship between man and God, with respect to the belief that He created man in his image. Symbolically, the suggestion that men were created in the image of God infers the idea that all men carry around the icon of God within themselves for they have a certain correspondence to God.1 Additionally, the concept of the divine logos as being the “image of the Father” (Benz 19) that has been tarnished by the primordial sin and the consequent redemption in the form of Jesus Christ plays an essential task in the Christology of Eastern Orthodoxy. By His death upon the cross, man’s stained image is renewed in the image of Jesus Christ as Jesus renews his image in the image of God.1
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Approximate Word count = 1091
Approximate Pages = 4 (250 words per page double spaced)
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