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Giotto

Giotto di Bondone was born in 1267 in the village of Vespignano, Italy near Florence. His father was a farmer. Growing up he showed great wit and was a practical joker. He later married and had six children. Throughout his life, he saved his money and was regarded as a rich man. He was on friendly terms with the Pope as well as King Robert of Naples.

There are two stories of how Giotto was discovered as an artist. Giorgio Vasari, one of Giotto’s first biographers, explains how Giotto was discovered in the following story. When Giotto was 12 years old, Cimabue, a well-known Florentine painter, discovered Giotto’s talents while he was sketching one of his father’s sheep on a flat rock. Cimabue was so impressed with Giotto’s talent that he persuaded the father to let him become his pupil. Another story was that, while Giotto was an apprentice to a wool merchant in Florence, he visited Cimabue’s studio so much that he was finally allowed to study painting.

Giotto was an extraordinary painter, sculptor, and architect. He introduced new ideals of naturalism and created a sense of pictorial space. Other famous artists in Giotto’s time expressed their pleasure and excitement over Giotto’s work. Dante praised h


Giotto lived during the Italian Renaissance. He, like his fellow artists, Cimabue and Dante, mostly did works dealing with Christianity. His works include portrayals of Mary, Jesus, angels, Heaven, and other biblical characters. Most of his paintings were frescos, which are paintings on the plaster surface of a wall or ceiling.

im in a famous passage of “The Divine Comedy” when he said he had surpassed his master, Cimabue. Also, in about 1400, Cennino Cennini wrote, “Giotto translated the art of painting from Greek to Latin.”

Despite his fame and the demand for his services, no surviving painting was documented as being by him. Several panel paintings have Giotto’s signature, but most historians believe that the signature is a trademark showing that the paintings came from his shop rather than being his personal work. The Stefaneschi Alterpiece, at the Vatican, is an example of this.

I was stunned when I saw the Arena Chapel. It looked very large and I was amazed that someone could actually paint it. He painted a series of 38 frescos, each with a unique scene.

I also thought it was interesting how Giotto incorporated his fellow artists in his paintings and vice versa. It seemed as though they were encouraging each other rather than competing with each other. I think that shows a lot of respect.

Some topics in this essay:
Vasari Giotto’s, Arena Chapel, Greek Classical, Florence Giotto’s, Florence Cathedral, Vespignano Italy, Mary Jesus, Revelation Bible, Virgin Mary, Magnus Magister, scenes life, “last judgment”, arena chapel, florence cathedral, fellow artists, giotto discovered, story giotto, artists giotto’s, virgin mary,

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Approximate Word count = 937
Approximate Pages = 4 (250 words per page double spaced)


  

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