Critical analysis of Patrick Caulfield’s ‘Pottery’
The work has been arranged as a stack of pottery, vertically up the painting. Each individual piece of crockery has an individual shape, perhaps suggesting at the human individual. The jugs and plates are compacted closely together, with no interruption or view through. The only gaps are filled with black. The proportion of the painting is distorted, as it is unclear whether the pottery is piled up high, or the viewer is looking from above. This distortion evokes a feeling of confusion to perspectives, as Caulfield only subtly hints that they get smaller into the distance. The colour scheme employed is varied across the spectrum, to create a bright miscellany and diversity. No colour predominates another, but all are painted with equal significance. There is
The work conveys a mood of uneasiness and inferiority of the viewer. The looming pottery appears to be intrusive. The immense numbers suggest that the painting is surreal and unrealistic, despite the realism and definite lines of the jars. The lack of light is replaced by the brilliant colours to create structure within the painting. There is a definite lack of volume or space, to make the landscape even more surreal. It conveys agitation and discomfort to the viewer. The content of the painting involves simple crockery, as it towers up the canvas in an imposing manner. The lack of human influence in the painting evokes an eerie feeling of bleakness and isolation, despite the overwhelming sense of abundance. This gives Caulfield’s perspective on
Some topics in this essay:
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Hopper Caulfield,
Warhol Liechtenstein,
Pop Art,
lines create,
lack human influence,
black lines create,
caulfield greatly admired,
caulfield greatly,
human influence,
black lines,
british life,
lack light,
greatly admired,
final piece,
lack human,
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Approximate Word count = 518
Approximate Pages = 2 (250 words per page double spaced)
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