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Handel's Messiah

On December 8, 2002 I attended The Adelphian Concert Choir & University Madrigal Singer’s Christmas concert. I was excited although not surprised to see Handel’s Messiah at the end of the program. A former choir member myself, I am accustomed to singing or hearing the Hallelujah chorus every winter during the Christmas season. However, the Adelphian’s performed a much larger and more difficult selection of the Messiah than I sang in my high school chamber choir. It was a wonderful to have the experience of hearing new portions of one of my favorite traditional holiday pieces.

The Messiah is a Sacred Oratorio which was composed by George Frideric Handel in 1741. (Kelly, 2000:62) The Messiah is the only composition of its time that has been performed continuously and frequently since its first appearance in Dublin, Ireland in April of 1742. (Kerman, 2000:146; Kelly, 2000:88) The piece was immediately renowned by Dublin audiences and critics. The book First Night by Thomas Forrest Kelly quoted the Dublin News-Letter’s April 10 review of Handel’s Messiah in stating the following:

“The Messiah, Mr. Handel’s new sacred oratorio, in the opinion of the best Judges, far surpasses anything of that nature, which has


The Messiah was accompanied by an orchestra which featured 8 violins, 2 violas, 2 cellos, 2 oboes, 2 trumpets, 1 timpani, and 1 harpsichord. The live orchestra truly enhanced the performance of the Messiah. This size of orchestration is practically identical to that used by Handel in the original performances of the Messiah. I found this interesting because the choir, featured about four times as many performers as did the original performances of the Messiah.(Kelly, 2000:87) However, the Messiah has been rearranged and re-orchestrated so many times and in so many ways that such an interpretation does not seem odd or in any way wrong.

Subsequent to the initial performance, Handel toured Great Britain and Ireland performing the Messiah for many audiences. During these performances Handel tended to change elements of the Messiah to fit the voices of his particular singers and for other reasons which improved the specific performance.(Findlay, 1999) However, the Messiah was never revised by another musician until 1788 when Wolfgang Amadeus Mozart arranged the piece for a series of private performances in the homes of Viennese court members.(Findlay, 1999) Since then there have been numerous arrangements of Handel’s Messiah which are typically performed during the Christmas and Easter holidays.

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Approximate Word count = 1262
Approximate Pages = 5 (250 words per page double spaced)


  

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