Electronic sounscape

Some of the live electronic is art based and/or has academic connection , but there is also a lively scene that develops outside the academic world. There are monthly lap top jams in the city of Brighton and London , lap top performances at festivals for modern music, like the Sonar festival in Barcelona or Mutek in Canada.

The Methodology used in this paper was the following: through personal experience and field research at concerts and events, through asking the internet and looking into libraries, through conversations with artists, musicians and people who are interested or working in this or related fields I gained a small insight in this section

Additionally the author draws attention to the Steim Institute, Netherlands, a Center for Research & Development of instruments & tools for performers in the electronic performance arts. Steim is also a Laboratory and a Workshop, an International meeting place, an Artist hotel, a Production office, host to Live electro acoustic music of Dj's and Vj's, Theatre-performance, Video-dance, Installations and home of the Nomad studio. A Support home of the pioneers of Touch and creators of personal and extremely physical musical instruments.

Picture 8: Philip Rees C16 Fader box: a midi control box with 16 assignable faders

Some topics in this essay:
Andres Bosshard, Reggae Music, Native Instruments, CONCLUSION Incredible, Abstract Sound, PPC RISC, Steve Reich, TOOLS Laptop, Lounge Bar, Ben Neill, sonic art, electronic music, live electronic, electro-acoustic music, live electronic music, electro acoustic, andres bosshard, music live, live performance, dub music, signal processing, laptop musical instrument, “imaginary landscape no1”, landscape no1” piece, electronic music performance,