Dehumanization Interrelationship
“There was little sense in writing. Writing now was like dropping stones in some deep, bottomless pool. They drop; they sink—but there is no answer.” These depictive words were taken from the book “One Day In The Life of Ivan Denisovich”, by Alexander Solzhenitsyn, where a Russian soldier by the name of Shukhov is inmated into a Russian labor camp for ostensibly degrading the name of Stalin in a critical letter to a friend, and spying on the Russian Government. Another apprehended book, called “The Metamorphosis”, by Franz Kafka states that when the main character, Gregor, “raised his head a little he saw his vaulted brown belly divided into sections by stiff arches from whose height the coverlet had already slipped and was about to slide off completely”. This illustrious novella poses us in the mind of a man who wakes one morning, only to find that he is metaphorically transfigured into the physical structure of a “monstrous vermin”. Slowly, however, Gregor is sprained from the human world, and is set to live a life in helplessness. This dehumanization that Gregor endures, is found in both of these engaging novels of panoramic acceptance and survival, through which the protagonists seize a way to live thro
In “One Day In The Life Of Ivan Denisovich”, Solzhenitsyn construes the life of a prisoner, and informs his audience of the crumbs of leisure time they have to dispose each day by constituting that “apart from sleep, the only time a prisoner lives for himself is ten minutes in the morning at breakfast, five minutes over dinner, and five at supper.” This contemplates the fact that political prisoners had no more than twenty minutes a day to do what they pleased, as long as they didn’t aim to escape or disrespect their chieftain. Once a political prisoner accesses the camp, he is stripped of all his inalienable rights. One of the greatest instances of this appearing in this novel was when Shukhov called the Tartar a citizen chief. This undeniably bares that Shukhov hasn’t the due rights he was given upon birth. At this point of history, Russia was a Communist country, meaning that everyone was supposed to be equal to one another. But, in this book, it clearly states that prisoners were not allowed to use the word “comrade”. This foreshadows the cue that they were not free anymore; they were closer to slaves than free men. A congruent similarity between “The Metamorphosis” shows that Gregor Samsa had also lost most of his freedoms upon his alteration by “station[ing] himself directly before the living room door” and compelling to “persuade the hesitant visitor to come in or at least discover who it might be”. This exhibits the determination that Gregor, who was ensnared in his room, was not given the right to move around freely. It is because of his condition that Gregor is denied these rights and freedoms, and because of his uselessness that he is abhorred by his family. Escorted from one of the ending leaflets of Alexander Solzhenitsyn’s novel, the n
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Approximate Word count = 1209
Approximate Pages = 5 (250 words per page double spaced)
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