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The Legacy of American Jazz

The diaspora of Africans into the Americas brought strong cultural roots that have survived more than six hundred years. The correlation between popular music in the United States and traditional African music is evident even today. Specifically, the influence stems from traditional Sub-Saharan music. The identifiable characteristics shared by the two types of music are polyrhythm, wide variety of tone colors, call and response, and African-derived scales and singing styles. These four characteristics bled into the Americas, and in the U.S, resulted in a chain of unique music genres including blues, jazz, ragtime, bebop, and rock.

This evolution of American music is rooted in the application of African esthetic, notably the use of polyrhythms, an expanded range of tone colors, call and response, and African-derived scales and singing styles. First, Polyrhythms are multiple interlocking rhythmic patterns. For example, this would include the use a series four beat measures overlapped by a series of three beat measures. Also, these polyrhythmic patterns are arranged in cyclical patterns, referred to as time cycles. The patterns of beats do not have a definite beginning or end, and as the cycle repeats, the rhythms contain co

Some topics in this essay:
Africans Americas, Plus Armstrong’s, Bessie Smith, Duke Ellington’s, John Coltrain, Scott Joplin, Orleans Primarily, Sanza Mbira, Miles Davis, Cool Free, call response, popular music, orleans jazz, free jazz, tone colors, blues vocal, singing style, african esthetic, series beat measures, wc handy, american music, african-derived scales singing, cool free jazz, variety tone colors, response african-derived scales,

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Approximate Word count = 1710
Approximate Pages = 7 (250 words per page double spaced)

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