Janet Flanner and John Dos Passos write about Isadora Duncan in two very different grammatical styles. Flanner uses a poetic style that contains many poetic devices, such as similes, metaphors, and the use of alliteration, in her essay. She immediately starts her essay by stating that Isadora began dancing “like a ghost from the grave” and makes reference to her spirit being as “green as a bay tree.” This writing style gives the reader a much more positive attitude which reflects Janet Flanner’s own view of Isadora Duncan. John Dos Passos

Although John Dos Passos and Janet Flanner’s essays contain some similarities in content, their views of Isadora are distinctly different. Flanner’s view of Isadora can be easily recognized as being supportive and positive by reading her essay. Flanner shows her admiration for Isadora by comparing her to a Greek goddess. She writes with a tone in which the reader can quickly determine Flanner, herself, was inspired by Isadora’s life. Flanner also tells the reader that Isadora was a very compassionate person and loved children. Her three children passed away during Isadora’s lifetime causing her much grief. Flanner goes on to state that Isadora adopted over 30 children, which Dos Passos did not mention. She also states that Isadora was married to Yessenine, a famous Russian poet. Dos Passos only refers to Yessenine as one of the many love affairs Isadora encountered throughout her life. Flanner’s essay comes to an end when Isadora dies. She states that thousands of peasants and commoners come to see her body off, ending her essay in a very sympathetic tone. Much of the content Janet Flanner’s includes varies from that in which Dos Passos incorporates in his essay, or varies slightly.

on the other hand writes in a much more unorthodox style. He often miss capitalizes words, such as “Art,” to show sarcasm. Dos Passos uses fragments and often ends sentences in incorrect places. This choppy structure gi

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