Sociology Book Report
The drive behind this paper has been the recent publication of Fredric Jameson's 1991 Welleck Lectures, The Seeds of Time. 1 As these lectures were delivered a decade after Jameson's initial attempts to map the terrain of post modernity it appeared to me to provide an occasion to reflect upon the current status of Jameson's highly influential and much criticized theory of postmodernism as the cultural logic of late capitalism. It also enables me to return to, what I consider to be, one of the most troubling aspects of Jameson's writing on postmodernism, that is to say, the "waning", to use Jameson's term, of the political imagination. As Jameson is probably the foremost Marxist theorist writing on postmodernism and one of the most influential of contemporary cultural critics, I find this paralysis of the political imagination in the face of postmodernism deeply problematic. As most of you are probably aware postmodernism is inherently paradoxical and playful. There is, suggests Jameson a kind of winner loses logic about it, the more one tries to define what is characteristically postmodern the less characteristic it turns out to be. Postmodernism, by definition resists definition. Theoretically, postmodernis
This is what I referred to a moment ago as Jameson's residual modernist sympathies, sympathies clearly indicated in the opening chapter of The Seeds of Time, `The Antinomies of Postmodernity' with its echoes of Luk and the antinomies of bourgeois thought. Jameson comes out of an essentially literary and modernist tradition, his concern with spatiality has always been a concerned with what I called early "conceived" space. Jameson reads space as a text, and the semiotics of space its grammar and syntax. Jameson has no sense of space as either lived physical space or social space. Jameson's notion of cognitive mapping is founded upon a dialect of perception but it lacks any real sense of the physical and spatial practice that would follow from it. The flattening of space that Jameson identifies as characteristic of post modernity is itself a symptom of his own theory which sees space simply in terms of representation. By ignoring what Lefebvre called the perceived and the lived Jameson has eradicated from space its differential, conflictual and above all contradictory character. Characteristics that we once more need to restore if any meaningful spatial politics are to be conceived. antinomy of postmodernism, that is, time and space, and suggest that the failure to think beyond the antinomy is symptomatic of a more general failing in Jameson's theory as a whole. I shall also venture to suggest that a more dialectical understanding of temporality and spatiality may enable us to move beyond In The Seeds of Time, Jameson observes how both postmodern temporality and spatiality are marked by a fundamental paradox. Postmodern temporality is characterized by an accelerated rate of change, the turn over of fashions, life styles, beliefs even, has rapidly increased over the last twenty or thirty years. What is unusual about this is that it appears to be change without any opposite; it is change without real transformation. As I have already suggested, Jameson sees correlations between postmodernism and the globalization of the worlds economy. The transition from nationally based economies to a multinational economy has been accompanied by a change in both the form of production and regimes of capital
Some topics in this essay:
Hall Hall,
Drawing Lacan's,
Politics Theory',
Seeds Jameson,
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Auschwitz Stalin's,
Ernest Mandel,
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Antinomies Postmodernity',
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Approximate Word count = 4016
Approximate Pages = 16 (250 words per page double spaced)
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