Scarface
Brian De Palma’s new 1983 version of Scarface suggests and strongly pushes the fact that what goes up must always come down. It portrays the ideology of the American Dream as viewed from a select Cuban refugees plight. Scarface depicts the ideology that happiness is earned through hard honest work, not killing or breaking the law to get to the top. This refugee, Tony Montana is unsatisfied with his status and works his way from a small time drug help to the top of the Florida/Miami cocaine drug industry. Tony has absolutely no compunction about murdering for profit, which quickly endears him to a Batista Cuban refugee who is the chief of the Bolivia to Florida cocaine traffic. He follows his motto and version of the American Dream, which is shown over and over in the film in different places and most obviously in the end of the movie above a fountain on a globe, the words “The World is Yours”. Tony could not wait for the American Dream to be his and tries to get everything at once, which leads to his greed and eventually to his death. Tony believes that to get respect or women in America you need money first, and then you will get women. It is proven as he takes Elvira away from Frank, but not until he had money
The lighting in Scarface is very interesting, for this type of film you would expect the lighting to be dark and creepy, however, for much of the movie there is very good bright lighting around almost all of the characters. Tony is always shown in decent lighting with perhaps a great deal of shadows aroud his face perhaps to create mystery or depth to his character. These shadows around Tony may represent his many sides and his hidden goals and intense greed. The flim Scaface shows the climb of one Cuban refugee toward his American Dream, however this climb is influenced by greed and impatience which ultimately leads to the demise of Tony Montana. Throught narration, setting, lighing and costuming the rise and fall of Tony Monatana and his friends is shown in great detail. This film used both restricted and unrestricted narration to tell the story and keep the suspence on a high level. This is very important to the film in order the keep the viewer guessing and the tension high. In the nightclub where Frank attempts to have Tony killed there is a good example of unrestricted narration. There are two guys sitting at a dining table with machine guns under their napkins under the table, the camera continuously shifts from Tony drunk at his table to the men with guns. When the spotlight lands on Tony the guys start shooting. The viewing audience knows that those guys are going to try to kill him, however, Tony has no idea. There are several other times when unrestricted narration is used, especially in the end of the movie. Tony has just killed his partner and has severely aggravated Mr. Sosa a drug lord in Bolivia and his associates by not killing a politician when he was told. Due to his inability to kill the politician Sosa sends men to his house to kill him. Tony Montana has ground surveillance all over his property but is too deep in grief to see that men have swarmed his property and are killing his guards on the television screens. The audience sees what is going on with mounting anticipation but Tony has no idea, he is too coked up to pay attention. There are also several scenes with restricted narration. A key scene with this is when Tony and Omar are in Bolivia ma
Some topics in this essay:
Manny Lopez’s,
Elvira Frank,
Tony Manny,
American Dream,
Lopez Hebrew,
Tony Montana,
Sosa Sosa,
Manny Tony,
Little Havana,
De Palma’s,
tony manny,
american dream,
unrestricted narration,
tony montana,
cuban refugee,
tony’s sister gina,
money buy,
leads demise,
industry tony,
tony killed,
drug lord,
social status tony,
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Approximate Word count = 1477
Approximate Pages = 6 (250 words per page double spaced)
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