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Venetian Water Carriers

In 1874 a group of young painters defied the official Salon in Paris and organized an exhibition of its own. While this was in itself a break with established customs, the works which these men showed seemed at first glance even more revolutionary. The reaction of visitors and critics was by no means friendly; they accused the artists of painting differently from the accepted methods simply to gain attention. It took years of bitter struggle before the members of the little group were able to convince the public of their sincerity, not to mention their talent.

This group included Monet, Renoir, Pissarro, Sisley, Degas, Cézanne, and Berthe Morisot. They were not only of diverse characters and gifts, but also, to a certain extent, of differing conceptions and tendencies. Yet born almost within the same decade, they all went through similar experiences and fought against the same opposition. Thrown together more or less by chance, they accepted their common fate and eventually adopted the designation of "impressionists.”

When the impressionists organized their first group exhibition, they were no longer awkward beginners; all of them were over thirty and had been working ardently for fifteen years and more. They had stu


In the Venetian Water Carriers, portrayed in the Worcester Art Museum, depicts one of Sargent’s early paintings. This oil on canvas, painted in 1880-1882, a remarkable group of figure compositions inspired by two extended visits to Venice during those years. Rather than concentrating on the flamboyant monuments and sites of Venice, he directed his attention to the working class women. Ordinary life is what Sargent portrayed in the dark alleys and backstreets of the city. It is painted primarily with dark colors, yet has a touch of bright colors with precise brushstrokes to give the picture form. Light also plays an important role in this painting designed by the smooth brushstrokes. Sargent used rectangular and square shapes throughout the painting. The Venetian Water Carriers contains balance and symmetry by showing the hinges off the door leaning one way and the woman carrying the bucket the other. In 1917 though, near the end of his career, after Sargent went through his phase of portraitures, he came up with the Muddy Alligators, also shown in the Worcester Art Museum.

At the moment Sargent was born, the States were marking off sides in tariff issues which thundered into Civil War when Lincoln ascended into office. Churchill would be born at the end of this century to rescue England and Europe during the Second World War. Freud and Darwin would change both the mental and spiritual landscape of the world and the church would never recover fully. America would go through a resocialization and survive a depression from the after-affects of the Civil war followed by the beginning of the industrial revolution. The Great Depression was yet to be and Sargent would be dead when the stock market

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Approximate Word count = 1157
Approximate Pages = 5 (250 words per page double spaced)


  

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