The first section of Seifrith’s definition states, “Tragedy has to do with a person of energy and depth trapped outside the human race. When this person recognizes his exclusion, he enters a dark night of suffering where he is stripped of all but his soul.” Proctor fits into this section perfectly. At the beginning of the story, Proctor is a respectable person of his community. Yet as the play continues on, Proctor is slowly taken from a point of respect to near outcast as his reputation is put in danger. He also faces a huge challenge in whether or not he should tell the truth of what happen

John Proctor is a wonderful example of the modern tragic figure for he has come from a humble beginning, he faced a challenge alone and isolated from the world, and he was able to make a decision that gave him his own destiny back. I believe Proctor’s choice was the right choice for him and for Salem. He was able to stand for what he believed in, even though he lost his life for it and he allowed Salem the chance to realize it’s mistake and grow from it.

The second section of Seifrith’s definition says, “At this point, he is most free. Being most free chooses the destiny of his own soul rather than forcing another destiny that is not of his own MORIA. Then, he summits to a higher power.” As Proctor sits imprisoned and awaiting his death sentence, he is given a choice from the legal authorities. He may sign the false confession to save his own life or he may stay the course of truth and be killed. Proctor faces perhaps his hardest decision he has been forced to make yet. As he sits debating the different choices he might have to make, he is really deciding which destiny he should choose to accept. His argument both with himself and with his wife, Elizabeth, is no more than a debate of the path he should go on. When h

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