Being There; A Semiotic Approach
The style of Jerzy Kosinski’s Being There is direct, simple and fable-like. It is a satire on the role of television in the modern age and on the American political system. (We can all think of politicians who have the ability to be all things to all men). Most importantly it is a story on the human ability for self-delusion and for seeing others not for what they are but for what we would wish them to be. A chain of misunderstandings leads all concerned to believe that Chance is not only a businessman but also an economic prophet. He is invited to speak on national television where he talks about the only thing he understands, gardening. A series of speeches about the changing of the seasons in the garden is taken to be a sign predicting an upturn in the economy, and the public love his supposed optimism. Kosinski's Chance is fairly young, attractive and “emotionally detached from his surroundings.” This detachment allows others to treat him as a picture of one's wishes, a blank canvas onto which one can paint one's own desires. Each of the other characters sees in the supposed Chauncey Gardiner whatever he or she wishes to see. Rand, who has no children with EE, sees him as a possible successor to his business empire
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Approximate Word count = 1276
Approximate Pages = 5 (250 words per page double spaced)
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