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Science Fiction and Hollywood

Since magician Georges Milliès created science fiction’s first manifestation on-screen in 1902, sci-fi filmmaking has come a long way. A Trip to the Moon, a 30-minute silent film in black and white, captured movie-goers’ imagination and began what would become one of the silver screen’s most popular genres—even if some of the movies associated with it didn’t always meet some peoples’ standards of true science fiction.

During the silent era, novel adaptations abounded. Following Shelley’s Frankenstein, there was Sir Arthur Conan Doyle’s The Lost World, and Vern’s 2000 Leagues Under the Sea, among others. They were aptly made for the time and served as references for later remakes. Evidentially the most noteworthy movie of the era, Fritz Lang’s Metropolis came to Germany with impressive special effects and direction and later spread throughout Europe and to North America.

The invention of sound in films lent sci-fi a new sense through which it could bring us new wonders. Things to Come, H.G. Wells’ adaptation of his own 1933 essay, The Shape of Thing

Some topics in this essay:
Trip Moon, Space Odyssey, Destination Moon, Star Wars, Alien Robocop, HG Wells’, Dr Cyclops, Earth Stood, Body Snatchers, Mighty Ducks, science fiction, special effects, true science fiction, sci-fi filmmaking, world war, destination moon, true science, novel adaptations, monster movies, trip moon, science fantasy,

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Approximate Word count = 726
Approximate Pages = 3 (250 words per page double spaced)

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