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The Third Man

The Third Man is a Classic Film Noir film with a tinge of thriller. Classic film noir, (“black film”) the dark and cynical genre that found its place in Hollywood films from the 1940's on, is well know for its dark rainy streets, criminal treachery, victimized anti-heroes and femme fatales. Classic film noir is often centred on visual and specifically cinematic elements. Low-key lighting, chiaroscuro effects, deep focus photography, powerful camera angles and expressionist distortion are the main features of classic film noir. In The Third Man “strong characterisation and dialogue, complex themes, vividly authentic locations in war-ravaged Vienna, memorable acting performances and outstanding talent in technical production…” (McLean, 1992, 139)

Almost all the features of the classic noir films were present in The Third Man apart from the famous soundtrack. The dialogue in the film was often blunt and straight to the point with the occasional witty one-liners. The characters were the hard-boiled, cynical, disillusioned characters; that are nevertheless usually likeable and a male protagonist facing a moral dilemma or some kind of threat, in this case it is Holly. The thematic concerns were with the criminal, violence

Some topics in this essay:
Film Noir, Holly Harry, Dr Winkel, Holly Anna, Aurel Holly, film noir, classic film, classic film noir, ferris wheel, film noir genre, chiaroscuro effects, features classic, noir genre, noir films, technical production, features classic film, fit classic film, fit classic, thriller genre, short sharp conversations,

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Approximate Word count = 976
Approximate Pages = 4 (250 words per page double spaced)

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