Mayan
The Popul Vuh is the ancient creation myth of the Mayan Quiche people written in Mayan hieroglyphics during the Early Classic period (300-600 A.D.). The Quiche people received the book after leaving the highlands the go to the Atlantic shore in a journey that is seen as a pilgrimage. They gave it the name “The Light That Came from Beside the Sea” along with the title “Council Book” being that is was used by the Quiche lords during council. Who created it the original book is not exactly stated but is speculated to be created by the gods. This book was very significant to the people since it allowed them to regain the vision that the first humans obtained from the gods (Tedlock, p.21). This “vision” was the understanding of everything and the ability to sight the four corners of the sky and earth (Tedlock, p.147). Their great abilities caused the gods to feel uneasy and strip the humans of the special sense in fear that the people would become like gods (Tedlock, p.148). Obtaining the book was the key to regaining the great knowledge that the ancestor Mayan’s once had. In addition to holding the keys of their origins, the Popul Vuh allowed rulers to know even future events such as war, death, an
d famine (Tedlock, p.29). Another key aspect of the book is that it served as a help in navigation due to its astronomical contents. The historical importance of the Popul Vuh is that it preserved the Mayan beliefs in times of great threats and discrimination to their culture by Europeans who sought to change the Mayan culture by making it more like theirs. This book is studied due to it being in its entirety and providing important history of the Mayans that reflects many of the traditions that they hold in today’s society. Origins Myths like the Popul Vuh are stories that are taken from history and oral traditions that engulf many concepts that help distinguish one culture from another. The origins myth in the Popul Vuh reflects many broader ideas and concepts and begins with a world that contains only a sky and sea. The gods who reside in the sea join the gods from the sky and sea created the earth and its inhabitants (Tedlock, p.30). Although the sun is not seen yet, we know that there is light due to the dawn and also light from some of the gods (Tedlock, p.41). Some of the gods in particular that are noted for their ability to radiate light are the Maker, Sovereign Plumed Serpent, and Seven Macaw (Tedlock, p.64). The notion of a snake god is also evident in Buddhism. This god’s name is Nagarata and represents the throwing off of old skin, change, and good fortune (Campbell, Power of Myth). Although the Sovereign Plumed Serpent Darkness aids in radiating what is around him, darkness exists and is noted during the early dawn and in the waters (Tedlock, p.64). Before the gods created they earth, they discussed sowing and dawning. In a literal sense, this represents the agricultural importance in the Mayan society which is seen through the different crops. In the creation, this could have simple meant the growth of the vegetation for the first time. Cornstalks were used to represent the lifelines of the hero twins in the story (Tedlock, p.116). This reveals the connection between sowing, dawning, life, and death. Treatment of life and death are revealed in the story of the twin gods. One Hunahpu’s skull was placed in a tree after he was sacrificed and the tree bore fruit (Tedlock, p.98). This is an example that through death, life emerges. Although the tree was said to be forbidden, Blood Moon went to it and became pregnant when One Hunaphu spat in her hand. One Hunahpu stated that the father’s essence is carried on through the lives of his children (Tedlock, p.99). The importance of the veneration of ancestors is reflected here and the cyclical nature of life and death. The continuity of this life essence in this example is somewhat similar the Hindu culture belief in reincarnation in which the soul enters another object or being after death. The Hindu concept of anatman, which is an idea of the impermanence of the soul, also agrees with the Mayan life and death cycle as well (Reilly, p.98). In a sense, Blood Moon’s pregnancy is a “sowing” of the seed of life which “dawns” through birth (Tedlock, p.225). She gave birth to Hunahpu and Xbalanque who journeyed into the underworld indicating a path from the light to the darkness. Their trials with the lords of Xibalba coincide with the opposing forces of good and evil. These twins know of their death before it occurs, indicating almost a sense of predestination and diminished free will (Tedlock, p.131). When it is time for their death it is almost like they welcome it by jumping into the oven. Death is not viewed pessimistically here but a necessary and anticipated event that must coexist with life. Time is a factor in this as well being that on a celestial level, the actions of the gods correspond to objects in motion in space. We derive our calendars and timing based on the objects in the sky as they trace out their different cycles. The timing concept of the Mayans corresponds to a past, present, and future that all intertwine on a cosmological plane
Some topics in this essay:
Popul Vuh,
Hunahpu Xbalanque,
Blood Moon,
Film Mesoamerica,
Seven Macaw,
Serpent Darkness,
Sumerian Greek,
Book” Quiche,
Moon Xibalba’s,
Vuh European,
popul vuh,
quiche people,
mayan culture,
life death,
gods tedlock,
seven macaw,
blood moon,
power myth,
campbell power myth,
campbell power,
sovereign plumed serpent,
gods humans,
version popul vuh,
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Approximate Word count = 3104
Approximate Pages = 12 (250 words per page double spaced)
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