Women
Susan Glaspell’s Trifles and Sophie Treadwell’s Machinal each offer their readers examples of women who feel trapped by their gender roles. Trifles’ Mrs. Wright and Machinal’s young woman both lead a life in which they are almost entirely dominated by someone else, and most often a man. The common gender code in which a woman submits to her husband proves to be a restrictive bond for both women. In both cases, each woman is married to a rather forceful husband. The two own similar experiences and seal their own fate in rather parallel fashions. Both of these two characters accepted their lives simply because that was what was expected of them. They both take place in a time in history where it was basically expected of a young woman to get married and bear and raise children, whether that was what she wanted to do with her life or not, and regardless of her own aspirations, dreams, or any other facet of her previous life. “She used to wear pretty clothes and be lively, when she was Minnie Foster, one of the town girls singing in the choir. But that-oh, that was thirty years ago” is a statement that Mrs. Peters makes about Mrs. Wright (Glaspell 20). This leads the reader to
YOUNG WOMAN: I put him out of the way-yes. JUDGE: If you just wanted to be free-why didn’t you divorce him? MRS. PETERS: Not to know him; I’ve seen him in town. They say he was a good man.
Some topics in this essay:
Wright Glaspell,
Wright Machinal’s,
HALE Yes-good,
Wright Trifles,
Minnie Foster,
Treadwell’s Machinal,
WOMAN Oh,
JUDGE WOMAN,
Yes JUDGE,
PETERS I’ve,
woman machinal,
woman machinal married,
trapped gender roles,
wright machinal’s,
gender code,
machinal’s woman,
woman married,
married husband,
trifles’ wright machinal’s,
machinal married,
wright machinal’s woman,
free judge,
domestic gender,
bird company,
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Approximate Word count = 998
Approximate Pages = 4 (250 words per page double spaced)
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