The Australian poet Bruce Dawe was one of the first Australian poets to recognise the average Australian as one who neither lives in the country or in the centre of a metropolis but in the middle class suburbs that expand outward from the cities. He writes for the great middle mass of Australian population about matters of social, political and cultural interests. Though Dawe is well aware of the sense of the ironic in city and suburban life in Australia that not all is well in the average Australianâ€™s life in suburbia. Bruce Dawe poems often concernâ€™s the average Australian people in the suburbs confronting their everyday problems, he observes and records the sorrow and hardships of average people struggling to survive. Our cultural identity even a stereotypical view of Australianâ€™s is that weâ€™re laconic, anti authority and we live in egalitarian society. Bruce Daweâ€™s views on Australian cultural identity are represented in â€˜Life Cycleâ€™ â€˜Up The Wallâ€™ and â€˜Homo Suburbiensisâ€™.
â€˜Life Cycleâ€™ represents the proud and passionate nature of Australian people especially at sporting events. Life Cycle is obviously about Australian Rules Football and football teamâ€™s supporters from when they are young to when they are old. Their feeble passion for their club when they are young â€œCarn, Carn they Cry â€¦feebly at firstâ€™ to when they are old and proud and passionate supporters. They are brought up from the beginning with football in their blood, when they play football and win they are praised and showered with glory but when they lose they are shunned by proud parents. Dawe is well aware of the excesses, the lunacies of the Australian Rules supporter but the poem is not attacking what might appear to be an Australian social evil. Dawe borrows many liturgical statements to emphasise the passion of Australian Rules followers. â€œT