The running theme which links the bulk of the story's incidents repeatedly demonstrates Sammy's inability to imagine himself
personally at risk. The expectation this motif awakens in us is that Sammy will continue to underrate the world's dangers. At the story's end, however,he surprises us by overrating them--although with ludicrous and touching
The first of these dangers to present itself to Sammy is either penury or a neurotic meanness of spirit. The middle-aged customer who gives Sammy "hell" for ringing up her box of crackers twice is in Sammy's quick calculation, "about fifty," and a "witch" of the sort he's learned once flourished in nearby Salem. He notices the "rouge on her cheekbones and no eyebrows" but nothing else that might stir him in the direction of sympathy. That the malicious intent he silently accuses her of, and the "sheep"-like behavior, "like scared pigs in a chute," of the other "houseslaves in pin curlers" who draw his sarcastic ire, might have sources in something other than the one's motiveless malignity and the others' dullness of character, does not occur to Sammy. He call
Sammy sneers at the store manager for "haggling with a truck full of cabbages"—and by extension sneers at all those who grow, transport, even eat, such mundane stuff. He is entranced and made enviously defensive by his notion that the under clad younger shoppers inhabit a higher social station than his own. His reflections on this topic permit him a kindly smirk not only at his own family's lower middle-class predilections but also at their better's sartorial usages. "Ice-cream coats" is his mocking name for their formal summer attire. Of his own eventual settling into or battling to gain or retain a standing in the social hierarchy, he is merrily unaware.
s the "pigs" "scared" as if he himself had never
Nor does he know, or care about, the circumstances that might lead one—himself for instance--to a career as a laborer in the city's Department of Streets and Sewers. The men who have come to such employment are to hint nothing more than "old freeloaders." Similarly, the "old party in baggy gray pants who stumbles up [to his checkout lane] with four giant cans of pineapple juice" evokes in Sammy nothing more than