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Fred Astaire, Shirley Temple, Busby Berkeley and their contr

The genre of film musicals began to define itself as it moved past the desperate efforts of the late 1920's. Among other things, screen musicals made a point of depicting central characters as everyday, accessible people facing the same sort of public and private problems "ordinary folks" did. Even wealthy or aristocratic characters were given a rebellious streak to make them "just like us." Most of the musicals were based on jazz and tap dance or they were Broadway Shows that were recorded on stage because people did not know yet how to stage work for camera.

The 1930s were an era of depression after the Wall Street crash in 1929. Broadway musicals and films helped to bring people in another world. Artists like Fred Astaire, Busby Berkeley and child star Shirley Temple increased the popularity of the Hollywood musical. This essay examines their contributions to film musicals describing their dance styles and choreographies.

One of the greatest and most influential dancers in the history of musical theatre and film was Fred Astaire (1899-1987). He began his career at the age of seven, dancing in vaudeville with his sister Adele. Headlining for ten years, they became international musical c


The film uses real historical events of the 1920s as they mentioned the film The Jazz Singer which is then the reason that Simpson want to change the film into a musical.

In hid later career he established himself as the screen’s most famous dancer and choreographer. His choreographies were devised especially for camera, rather than photographed stage routines. Even the camera was choreographed to move with the dancers.

Berkeley “wanted to do something different”, so he brought his highly individual flair and imagination in to films. Some of his trademarks included big formations and he used water fountains and reflections through glass or water. He utilized the camera photographic, which means it is not a participant in the dance at all. The dancers were sometimes fragmented and shown in close-ups. Berkley perfected the still new technique of synchronizing the filmed image to a pre-recorded soundtrack. As a result, microphones were not needed during musical sequences, making fluid camera motion and intricate editing possible. Berkley's inventive and daring images that were sometimes erotic, sometimes vulgar but always spectacular, still dazzle viewers today. He definitely delighted the nation desperate for cinematic distraction from the Great Depression.

Fred Astaire is responsible for reshaping the movie musical and dance on film with his innovations and dedicated professionalism. He would keep rehearsing even after his feet bled, and expected his co-stars to do the same. Astaire's virtuoso dancing and elegant singing voice made him the most acclaimed stage and screen dancer of his time.

Some topics in this essay:
Gold Diggers, Fred Astaire, Shirley Temple, Alva Edison, Jazz Singer, Alan Crosland, , Flying Rio, Bros Hollywood's, Edward Craft, fred astaire, shirley temple, western electric, sound picture, busby berkeley, motion picture, talking pictures, motion pictures, bell telephone, directed alan crosland, film musical, fox film corporation, western electric bell, fred astaire busby, bell telephone laboratories,

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Approximate Word count = 2498
Approximate Pages = 10 (250 words per page double spaced)


  

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