I have always characterized jazz music as a rhythmic and instrumental form of music. My impression on the basis of the music has always been portrayed with the African-American race. This was accumulated from the rhythm ‘n’ blues era. I always felt that jazz and blues were a very similar type of music. The blues, like a

For people to say that jazz music is a form of entertainment is an effortless approach in applying the music to a culture. The technique that the artists use make the complex sounds apply to the advanced culture that each artist has endured. The visions that the artists were able to capture from their assertive passion for music carried the culture through each level of jazz music. The survival of the music through the African-American culture, evolving into the culture of the white origin has inspired me. The book shows how the music of black America, beginning with ragtime at the turn of the century, sent successive shock waves throughout the white mass culture, and how these continuous explosions left lasting marks on the social landscape (4). The revolution of music succeeded through the review of each background and oriented each sound into a new universal and international language called “music.”

Throughout the week I was able to discover the numerous periods and styles of music that the jazz culture has placed an impression on. My response to the “fusion” of music was only knowledgeable during the swing jazz era. I was able to identify with many of the artists that we had discussed throughout the week. I was able to make a more accurate transition in the swing era. Artists such as Louis Armstrong, Duke Ellington, and Benny Goodman evolved the impression that I had, and elevated me to the abstract freedom and individuality each artist embodied during their particular era. Swing afforded an emotional and physical release that resembled the exclusive property of blacks (100). The quote tha

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