Film Narrative and Structure
For my chosen sequence I have chosen a scene towards the end of the movie ‘The Basketball Diaries’. The film is based on the real-life diary of Jim Carroll, a New York poet who grew up in the '60s and published his diaries in 1978. The result is an episodic assortment of misdeeds and bad choices. Jim, a 16-year-old basketball player, begins as an incorrigible troublemaker. Our first image of him has Jim defiantly enduring a series of painful paddling by the teacher, evidently an everyday routine. We later see him running around the streets with friends, shouting in people's ears, knocking over carts and leaping off cliffs into water, all traditional emblems of teenage abandon. The mischief soon gives way to misery as Jim and friends become entrapped by the seductive forces of heroin. The second half of ‘The Basketball Diaries’ details the familiar course of the addict: the loss of everything meaningful--his sports goals, family and friendships. Directed by Scott Kalvert, the picture contains a handful of striking images in a sea of ordinary ones. Most telling are the brief fantasy sequences in which Jim imagines himself gunning down the entire school, and another in which he sees himself being blown away while making a
‘The position of the viewer arises not so much from his or her identification with the characters, but from a deeper involvement of the story told by the film…. The realist film contains a number of discourses, or perspectives on reality offered by various characters, but the films narrative structure operates to arrange them in hierarchy.’
Some topics in this essay:
David Harris,
Using Burch’s,
Scott Kalvert,
Carroll York,
Basketball Diaries’,
,
cuts mother,
camera pans,
david harris,
perception reality,
cooking heroin,
cuts mother camera,
considerable slowing pan,
mother camera,
slowing pan,
relationships shots,
blue haze,
establishing shot,
‘the basketball diaries’,
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Approximate Word count = 2088
Approximate Pages = 8 (250 words per page double spaced)
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