was inspirational in pulling together artists, designers, architects and

many other thinkers under one creative roof.

The moving spirit was Walter Gropius, who wrote in the school’s first manifesto, “The ultimate aim of all creative activity is the building”. This was a new way of thinking, as artists were traditionally separated from designers, architects and engineers. Gropius announced his intention of starting the Bauhaus as a shamelessly elitist ‘Republic of Intelligence’, and his first step was to enlist the right personalities. "It is vital for everyone that we recruit lively people. We must not start with mediocrity,” he said.

Gropius was influenced by the example in Britain of William Morris, who had created the Arts & Crafts movement. This developed a school and a culture that revived medieval methods of working and manufacture. Morris’s hatred of the industrial revolution and resulting

mass production drove him to redesign anything and everything, because it had to have an ‘organic’ feel to it and fit in with his chosen way of life.

His utopian ideal failed to inspire th

In place of the traditional professors, Masters now provided the teaching. Students were to be taught by both a Master of Form and a Master of Craft and the Bauhaus manifesto stated that it would “raze the arrogant wall between artist and artisan”, and clear the way for the new building of the future, to which all would contribute through craftsmanship.

Some topics in this essay:
Craft Bauhaus, Peter Behrens, Arts Crafts, Walter Gropius, Art Schools, Third Reich, World War, AEG Bauhaus, Speer Hitler’s, MOVEMENT Bauhaus, bauhaus movement, world war, designers architects,