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The Portrayal of Women in

In Turgenev's Fathers and Sons, women play very important and influential roles in the plot. Anna attracts Arkady and Bazarov, who are both trying to remain true to their nihilistic beliefs, which attempt to deny love—an irrational force. Bazarov’s strong feelings for Anna end up shaking the very core of his being. Eventually, however, he tries again at love: he steals a kiss from Fenechka, which ends up leading to the duel with Pavel. In the meantime, Katya wins over Arkady. Women are at the centre of just about every major plot point in the book. But what does Turgenev think about women in general? The author makes several contradictory statements, via his characters, about how women are viewed. After all, however, he indicates that women are a necessary force, and a saving and nurturing influence on men.

At the beginning of Fathers and Sons Turgenev introduces four men, all of whom are strong Russian males. Arkady comes home from school a graduate, and brings his friend Bazarov, a nihilist with very powerful views. Almost at once, this younger generation of men conflicts with the older generation; Arkady's father; Nikolai, a liberal landowner; and Arkady's uncle Pavel, a retired military officer. Pavel does not like Baza


The idea of a woman being "advanced" is not new at this point and is not attributed only to the nihilists. In fact, Nikolai, Arkady's father, fell in love with a smart woman: "She was pretty, and, as it is called, an 'advanced' girl; she used to read the serious articles in the 'Science' column of the journals." However, whereas the nihilist view called for new, autonomous relationships for advanced women that were outside of the family, in the end Turgenev seems to stand for the opposite. The two symbolic weddings at the end of the novel do more than heal the rift between Arkady and Nikolai; they also indicate Turgenev's true view about the appropriate role for women—powerful matriarchs. At the end of the novel, Fenechka, who was meek and mild in the beginning, is "different." As Turgenev's narrator notes, she is "respectful towards herself and everything surrounding her, and smiled as though to say, "I beg your pardon; I'm not to blame." And Anna, who is portrayed throughout as the ultimate independent woman, remarries. As the narrator notes, "They live in the greatest harmony together, and will live perhaps to attain complete happiness ... perhaps love."

rov from the start, calling him an "unkempt creature" after his first meeting with the younger man. This tension escalates when the younger men start expressing their radical views. Arkady informs his father and uncle that nihilists regard "everything from the critical point of view," and in the conversations between the two generations the young men criticize many the older generation’s ideologies. Bazarov, backed by Arkady, denounces all ‘irrational’ pursuits including art, claiming, "a good chemist is twenty times as useful as any poet." For their part, the older generation says that "If we listen to you, we shall find ourselves outside humanity, outside its laws." This struggle between the two generations, the main theme in the book, is depicted passionately throughout the novel.

Bazarov is afraid of Anna, both for the power she is beginning to hold over his heart and because he has very little power over her: he cannot manipulate her as he initially believed he could. Hypocritically, Bazarov, who warms to the idea of manipulating women like Katya into an image that is pleasing

Some topics in this essay:
Arkady Nikolai, Anna Bazarov, Bazarov Pavel, Madame Kukshina, Hypocritically Bazarov, Nikolai Arkady's, Bazarov Arkady, Sons Turgenev, Arkady Bazarov, Kukshina Sitnikov, anna bazarov, notes arkady, bazarov notes arkady, bazarov viewed, inferior manipulative, separated husband, narrator notes, madame kukshina, bazarov notes, hold own, fenechka meek mild, women inferior manipulative, views women,

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Approximate Word count = 1524
Approximate Pages = 6 (250 words per page double spaced)


  

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