Carravaggio bio and thoughts on paniting
Caravaggio was an Italian baroque painter, who was the best exemplar of naturalistic painting in the early 17th century. His use of models from the lower classes of society in his early secular works and later religious compositions appealed to the Counter Reformation taste for realism, simplicity, and piety in art. Equally important is his introduction of dramatic light-and-dark effects-termed chiaroscuro-into his works. Originally named Michelangelo Merisi, Caravaggio was born September 28, 1573, in the Lombardy hill town of Caravaggio, from which his professional name is derived. He was the son of Fermo Merisi, steward and architect of the Marquis of Caravaggio. Orphaned at age 11 , he spent years as apprentice to Simone Peterzano of Milan before going to Rome in 1593, where he entered the employ of the Mannerist painter Giuseppe Cesari. Among his best-known early works are genre paintings (scenes from everyday life) with young men. At some time between 1588 and 1592, Caravaggio went to Rome. He was already in possession of the fundamental technical skills of painting and had acquired, with characteristic eagerness had developed a style that was nearer to representing nature and events. Caravaggio arrived in Rome and settled i
There is extreme use of lines in this realistic, self-portrait of Caravaggio. He uses contour lines and shadows around the boy’s arm and back, to help depict the muscles in his body. Although, the lines that are used are thin and soft. The artist does a great job in embellishing the definition of each and every muscle. Caravaggio also uses squiggly lines in the boys clothing, to give it a ruffled and weathered texture. The lines that are used is extremely expressive. Without the lines, the portrait wouldn’t have the same effect. The lines help to promote the fine detail that Caravaggio used in this piece. A common shape that Caravaggio uses in this painting, is a circular shape. The young boys face, and the fruit, all have a spherical or oval shape. He also uses a rectangular shape for the concrete slab that the boy is leaning on. The color does not appear to be very radiant throughout the painting. He uses the duller tones of colors (for example, dull yellows as opposed to a bright yellows). The yellowish green tint of his skin and face, gives the boy sickly appearance. The use of warm colors gives the painting a realistic feel. The overall colors chosen, gives the painting a somewhat gloomy feeling. From the crinkly crown of leaves around his head, to the smooth grapes in his hand, the texture of them both appear to be very realistic, as does the rest of the painting. Also, the young boys arm and back, gives the appearance of very soft, delicate skin. The painting is equally balanced, and in proportion with all of its surroundings. Carravaggio balances the right side of the painting, by placing the three fruit there. He does this so that one side of the painting isn’t outweighed. Also, the greenery on his head, in the upper left corner, is balanced by the fruits on the right corner of the table This helps so that when the viewer is looking at the painting, all of their attent
Some topics in this essay:
Caravaggisti Caravaggio’s,
Campo Marzio,
Del Monte’s,
Tuscany July,
Michelangelo Caravaggio’s,
Caravaggio Rome,
Maggiore Naples,
Caravaggio Italian,
Sicily Sicily,
Del Monte,
light source,
del monte,
painting realistic,
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Approximate Pages = 5 (250 words per page double spaced)
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