In war, a solider has no room for his own personal feelings and emotions. He has to make logical decisions that will ensure his side victory, and relies on his intelligence, not his morals, to succeed. If he were to make decisions based on his desire not have people get hurt or killed, his goals would most likely not be met. In the same way, Raskolnikov, in Fyodor Dostoevsky's novel Crime and Punishment, tries to do what he knows to be logical and ignores his emotions, throwing away his own morals for the sake of a mere idea. Raskolnikov's struggle to listen to his mind rather than his heart is portrayed through his thoughts and monologues that occur as he faces many hardships. Thoughts about the strangers he meets, the people close to him, and himself, in particular, illustrate his struggle most clearly, and demonstrate Dostoevsky's idea that people sometimes cling to logic to avoid their true feelings.
From the reactions that Raskolnikov takes upon the people that he meets in Petersburg, one can see how he tries to listen to his own reasoning rather than his emotions. For example, when Raskolnikov leaves money on Marmeladov "s windowsill, he believes that he has done " a stupid thing" since "they have Sonia and I want it myself." By giving money to Marmeladov's family, Raskolnikov shows a moment of emotional impulsiveness, but then the intellectual side of him makes him regret it. Also, later a similar situation occurs when Raskolnikov gives a policeman money to help a sixteen-year-old girl, saying to himself, "He has carried off my twenty copecks And why did I want to interfere?" Once again, he is torn between his true feelings and how he thinks he should be reacting to such situations. The intellectual part of Rasko's mind tells him such people are insignificant and have no relation to him, while the other part of him fells compassion for those same individuals. His conflict of logic and emotion is also shown when Raskolnikov meets a man who calls him a murderer on the street.
Crime and Punishment I. ... Crime and Punishment differs entirely from novels that embrace elegant and graceful writing combined with sophisticated language. ... The title Crime and Punishment serves a greater purpose when written in Russian. ... No matter what the situation is, crime is inevitably followed by punishment. ... Crime and Punishment grasp...
In "Crime and Punishment," protagonist, Raskolnikov, seems to embody a person with split personalities. ... From the beginning of "Crime and Punishment," it is evident that Raskolnikov isolation from society has begun to affect his mental state, resulting in an internal conflict between good and evil. ... As both novels come to an end, each of the protagonist is faced with the realization that they had to take action: one out of obligation to his belief, the other, to himself. ... As "Crime and Punishment," draws to a close, the readers are aware that the pivotal moment of Raskolnikov's f...
Fyodor Dostoevsky's Crime and Punishment is a novel about the psychological exploration of the protagonist, Raskolnikov. ... After the crime is committed, his conflict becomes whether or not he should confess and return to society. ... Symbolism in this novel is a key point. ... In Crime and Punishment, the cross symbolizes Raskolnikov's "sacrifice" to confess to his sins. Raskolnikov's conflicts shape the novel. ...
Crime and Punishment Crime and Punishment, written by Feodor Dostoevksy, is an amazing novel with multifarious themes and messages. ... In Crime and Punishment, Dostoevsky delves deep into the life and mind of Rodion Raskolnikov, a destitute student and a resident of St. ... Crime and Punishment explores human psychology and how the search for redemption can consume a person. It is an extraordinary novel written for ordinary people. ... Crime and Punishment's unveiling of the darker side of the human mind leaves the reader riveted to each and every word, attempting to surmise the endin...
Dostoevsky's Crime and Punishment is the story of a poor man in Russia who mentally destroys himself of his guilt through pain and suffering. It analyzes the mental and physical conflicts brought upon himself by his crime. ... Raskolnikov's cold side leads him to develop his theory that extra ordinary men have the right to commit crimes, and also to commit murder. ... Without this side of Raskolnikov being told in the novel, the reader can only see him as an evil murderer, and not an mislead victim, as Dostoevsky tries to show. In the novel Crime and Punishment, Raskolnikov shows ran...
Crime and Punishment Around about the mid 1800s Emily Dickinson hit the nail on the head with a line from a poem she wrote: Part One: Life. ... The same stands for Fyodor Dostoevsky's Crime and Punishment, where the lead character, Rodion Raskolnikov, demonstrates multiple stages of craziness but when examined by the a sensible reader his actions seem to be profound logic. ... The motives for Raskolnikov's actions are symbolized by three of the characters in the novel. ... Sivdrigailov also has the desire to transgress and be redeemed of his crimes before ultimately committing ...
Doystoyevsky's Crime and Punishment has been described as a psychological thriller that challenges the mind from beginning to end. ... Crime and Punishment is the tale of an individual's desire to have power, yet unable to cope with his own subconscious feelings of guilt. ... This is the side that is seen throughout most of the novel and it causes his friends and family to think he has gone insane. ... Whereas this story takes a plunge deep into the workings of the human mind, the fact remains that Dostoyevsky wrote Crime and Punishment as a model to show what can happen when one co...
Crime and Punishment is a book written by Fyodor Dostoevsky who spent four years at a labour camp in Siberia, followed by four years of military service. Raskolnikov's time in a Siberian prison, described in the Epilogue of Crime and Punishment, is based on Dostoevsky's own experiences at a similar prison. Crime and Punishment is the story of a poor man in Russia who can only purge himself of his guilt through suffering. ... His dismissal of leftist political thought is evident in Crime and Punishment. ... Petersburg during the time that Dostoevsky was writing the novel. ...
Fydor Dostoevsky's Crime and Punishment takes the reader through the twisted mind of man who has committed a heinous crime and is living with the external and internal repercussions. ... He embodies Dostoevsky's theme that punishment imposed on a criminal does little good if the man himself rejects his own guilt. ... Although her deeds are immoral, the novel affirms the good nature of her intent. ... By the novel's resolution, Sonia is Raskolnikov's savior. ... Fydor Doestoevsky's Crime and Punishment recounts the tragic aftermath of Raskolnikov's murders. ...
Religion plays an ironic role in Crime and Punishment, and many Christian themes appear within the novel (i.e., driver who whips Raskolnikov). ... Who suffers the greatest in Crime and Punishment? The role of suffering in Crime and Punishment ties in with Christianity and its themes that are incorporated into the novel. ... The crime in Crime and Punishment occurs very early in the novel leaving the rest of the novel to entertain theories of punishment. Discuss the different forms of punishment and the concepts of law present in the novel....
