The diverse cultures of India holds the distinction of being the center of theatre and drama among other South Asian areas, such as Pakistan, Bangladesh, Nepal, Sri Lanka, etc. Because it allowed such a huge spectrum of society, family, caste position and tradition, south Asian theatre finds its center on the Indian stage. In fact, even the oldest book of dramaturgy comes from the Indian tradition. Not surprisingly, then, does a host of drama texts and traditions also come from the Indian tradition, showing it to be important indeed in all development in the study of drama.

Similar to other theatrical traditions, Indian theatre was and is connecte

In order to perform The Little Clay Cart in Kyiv, Ukraine, several considerations of the play and of Indian theatrical traditions must be examined and implemented. First, the job of the director will be a difficult one, as performances are so all-encompassing and performer-driven. With that in mind, it might be suggestible that the director of the production also become the lead actor. Though this goes against Western theatrical practice in most cases, it is important that a director develop a hands-on approach to the production so as to guide all aspects of the performance.

One popular Indian play of the Sanskrit genre that you might consider is The Little Clay Cart

An actor might also be required to play a musical instrument (or a musician to act), so knowledge of music and its effect should be considered. Most music during Indian theatre is improvised, so one might look to improvised jazz music for modern inspiration. Also, all music is free, so incorporation of popular movie soundtrack songs is completely acceptable. Further, the range of possible instruments is huge, encompassing drums (large, pot shaped, cymbals, snares), the voice, strings, winds, percussion instruments (conch shells, ankle and knee bells, rattles, gongs) and modern instruments, such as the harmonium, clarinet, saxophone or violin. As long as the music is meaningful to the production, there is little that is taboo.

Finally, to design a production of The Little Clay Cart, or other examples of Indian Sanskrit drama, there are very important requirements to fill. Most productions of this kind were performed in a medium-sized rectangular building (traditionally 96 feet by 48 feet), which was divided in half: one half for the audience, and the other for the actors. The acting space was divided by another wall…one half for the dressing room and the other for actual performance space, and this was accessed by two doors, between which was a raised area for the musicians. If certain requirements are difficult to meet, modern Indian drama uses proscenium arch theatre spaces primarily, but is not restricted from thrust or arena-style stages.

The influence of Indian theatre, though not pronounced by name often, is no-less felt throughout modern theatre practice. The most important contribution that Indian theatre has made originally is the idea of a play as a whole experience, with all aspects of theatre contributing. Emphasis on dance, music, singing, and cooperation amongst all troupe members (musicians, actors, director, designers, etc.) is still continued today (see American musical theatre, for example). Finally, the objective of theatre to not only entertain but to instruct

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