Schoenberg
The eighteenth centuries are reasonably described as an era of musical common practice, when composers of different nationalities and temperaments nonetheless wrote music that was stylistically and structurally similar in important respects. however, in contrast, the twentieth century has been a period of great and increasing diversity of both style and structure. More specifically, music criticism has divided twentieth century music into two opposing groups; the neoclassical and the progressive.This view has remained influential up to the present day. It depicts the neoclassicists (especially Stravinsky) as attempting to restore and revive aspects of earlier music while the progressive (Schoenberg, Berg and Webern) pushed music forward in a direction determined by the historical developments of late nineteenth century chromaticism. Neoclassical music is seen as relatively simple, static,and objective as having revived the classical ideals of balance and proportion. But Progressive music is seen as relatively complex, developmental, and emotionally expressive as having extended the tradition of romanticism. Stravinsky realises and asks himself,"Was I merely trying to refit old ships while the other side - Schoenberg - sought new f
For Schoenberg, the necessity was what history required. His conception was that the music has to develop forward and he thoght of it as hos task; the duty of developing his ideas for the sake of progress in music. In order to fulfil a task, he realises the importance of performing their works by establishing the 'Society for Private Musical Performance' to create a chance for introducing the true modern music to the public. Some of hos works were written mainly for the performances, 'Pierrot Lunaire' is a good example. In order to create the characteristic of the twentieth century music, Schoenberg adopts the methode of music by his predecessors, but in different context to the neoclassicism. The requirement of certain method or technique and the analysis of the early music enabledto form a continuous line of the progress. Schoenberg mentions, "The methode of composing with twelve tones grew out of a necessity", if it is so, how does Schoenberg responded to that necessity? In 1918, Schoenberg took the first steps toward an original project of an educational nature, where this, 'Verein fur musikalisches Privatauffuhrungen', which means the Society for Private Musical Performances, occupied an important role in the history of new music. The word 'Private' in the title explains that admission was restricted to a membership. The prospectus written by Berg shows clearly the aims methodes of the society; "The purpose of this society, founded in November 1918, is to provide Arnold Schoenberg with the possibility of personally carrying out his intention of giving artists and art-lovers a real and accurate knowledge of modern music", and it continues, "Three things are necessary for the achievement of this aim: 1)Clear, well-prepared performances. 2)Frequent repetitions.3)The performances must be withdrawn from the corrupting influence of publicity; that is,they must not be inspired by a spirit of competitions and mu
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Approximate Word count = 1300
Approximate Pages = 5 (250 words per page double spaced)
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