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Borque Music

Before the Baroque era in music there were many forms of western music. Most of this music was monophonic, sung in chant used mostly for religious purposes. During the previous millennia most music was sung in chant form with very little accompaniment, save a harp or a violin. In these times music was a simple art, sung by the people to praise the Lord. Eventually polyphonic music developed, first starting as monophonic chant sung in thirds and fifths, and later contrapuntal music was created. During this time the music notation system was standardized, originally a modified Greek system; music notation evolved into the notation that is used today. Having the use of music notation set the foundation for Baroque music and for all music after that.

In the late sixteenth century and early seventeenth century the Baroque style of music started in Italy. Italy, where the renaissance started, was able to create a new type of music rich in feeling, but less intricate than much of the previous renaissance music that was centered towards the north (France and the area now occupied by the Netherlands). New ideas, like interpla


During the Baroque period new forms of presenting music were invented. The cantata and oratorio were created as new forms of vocal pieces. Both of these forms had repeating phrases that structured the pieces with minimal orchestral accompaniment. New forms of music were written in continuous contrapuntal form with no distinguishable movements, the most famous of which was the fantasia. Other forms such as the sonata had many homophonic and contrapuntal movements that contrasted witheach other. There were many pieces that were a theme and variations called a passacaglia. The concerto was a solo instrument that played against an orchestra that differed on many musical, rhythmical and dynamic levels. The concerto was one of the most important forms of music that came out of the Baroque period.

Like in the Baroque era, the concerto and sonata were used as art forms. In the Classical period the symphony and string quartet were added as new acceptable art forms. Most of these forms included three or four contrasting movements that ended in a finale that brought closure to the work, ending in the chord of the key the work was written in. As new ins

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Claudio Monteverdi, François Couperin, JS Bach, Lord Eventually, Italy Italy, Music Baroque, Rameau Towards, Towards Baroque, baroque period, classical period, baroque style, baroque music, forms music, Vivaldi German, Lully English, music baroque, contrasting movements, music notation, music music, music baroque period, art forms, baroque style music,

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Approximate Word count = 775
Approximate Pages = 3 (250 words per page double spaced)


  

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