What are the Definitive Features of Analytical Cubist Painti

The cubism movement emerged with the artists Picasso and Braque after the creation of the painting ‘Les demoiselles d’Avignon’. This style was a radical break in western art, challenging the academic painting of the preceding years.

Between 1908 and 1912, a style, which is refered to as analytical cubism, occurred. Cubist painters such as Braque and Picasso, the true inventors of this style, started to question perceptual art, and began to focus more on concept. They asked questions about what they saw, what it was and how it was to be interoperated. They broke it down in to pure form-lines, cubes and cylinders. Perhaps, this is even more real than academic art. This can be seen in Braque’s work â€

As well as the aspect of planes and faceting in paintings, a common technique used by cubist painters, is reducing to a combination of greys, greens and brown shades. By using monochromatic colour it give the painting and emphasis on form. The very intellectual work ‘portrait of Ambrose Vollard’ by Picasso in 1910 shows us the use of colour to create form. It has been painted in subdued blues ranging from light to dark creating push and pull form the picture plane, with contrasting browns for the face.

In addition to the characteristic of faceting and subdued colours common to analytical cubism, distinct planes were coloured so that one plane could be seen differently from the other, and assist in the overall visual effect of the work. Rendering was used to shade light

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