Critical Anaylsis of an autor
James Michener’s books are a different kind of style. His books are based on his life experiences and his own imagination. His works also show his interest in regional history and culture, and are looked at as an entertaining trip through history. James Michener’s works Tales of the South Pacific, Fires of Spring, and Bridges at Toko-Ri, illustrate setting, the use of characterization, and themes. Michener’s use of themes in his work Bridges at Toko-Ri is apparent in his good vs. evil theme. He views the Korean War as a simple good vs. evil battle (Barich 346-377). The main character uses a “heroic effort” to accomplish his mission and be the best solider and person he can be (Havinghuist 55). However, his heroic effort is only used because of the idea that everyone likes a hero (Havinghuist 54-55). Michener’s themes in Fires of Spring are not based on war, but are still based on a society’s view. His main character in his semi-autobiographical book faces his fear of failing, by going against what society deems as normal, and becoming a writer (Godat 254-256). Also, the Quaker boy is able to overcome obstacles set up by society to realize his aspirations as a writer (Krebs 188). The character is fina
Literary Criticism. Ed. Winter. Vol. 23. Detroit: Gale Press, 1989. Havinghuist, Walter. “Michener of the South Pacific.” Contemporary Literary Criticism. Krebs, Albin. “James Michener, Author of Novels that swept through the history of In Bridges at Toko-Ri the main character is given almost contradicting qualities. The pilot although wanting to complete his mission can’t help but feel for any civilians that become casualties because of him (Cusick 491). Michener also gives human-like qualities to the plane to add a connection between man and machine (Osterholm 427). The main character also shows moral integrity by thinking that war is not right and should try to be avoided (James 207). This is just an example of Michener speaking thorough his characters. James, Caryn. “The Michener Phenomenon.” Contemporary Literary Criticism. Ed.
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