very fourth year. The Nemean games, held at Nemea, northwest of Argos, were also dedicated to Zeus. Zeus was the youngest son of the Titans Cronus and Rhea and the brother of the deities Poseidon, Hades, Hestia, Demeter, and Hera. According to one of the ancient myths of the birth of Zeus, Cronus, fearing that he might be dethroned by one of his children, swallowed them as they were born. Upon the birth of Zeus, Rhea wrapped a stone in swaddling clothes for Cronus to swallow and concealed the infant god in Crete, where he was fed on the milk of the goat Amalthaea and reared by nymphs. When Zeus grew to maturity, he forced Cronus to disgorge the other children, who were eager to take vengeance on their father. Zeus henceforth ruled over the sky, and his brothers Poseidon and Hades were given power over the sea and the underworld, respectively. The earth was to be ruled in common by all three. Beginning with the writings of the Greek poet Homer, Zeus is pictured in two very different ways. He is represented as the god of justice and mercy, the protector of the weak, and the punisher of the wicked. As husband to his sister Hera, he is the father of Ares, the god of war; Hebe, the goddess of youth; Hephaestus, the god of fire; and Eileithyia, the goddess of childbirth. At the same time, Zeus is described as falling in love with one woman after another and resorting to all kinds of tricks to hide his infidelity from his wife. Stories of his escapades were numerous in ancient mythology, and many of his offspring were a result of his love affairs with both goddesses and mortal women. It is believed that, with the development of a sense of ethics in Greek life, the idea of a lecherous, sometimes ridiculous father god became distasteful, so later legends tended to present Zeus in a more exalted light. His many affairs with mortals are sometimes explained as the wish of the early Greeks to trace their lineage to the father of the gods. Zeus's image was represented in sculptural works as a kingly, bearded figure. The most celebrated of all statues of Zeus was Phidias's gold and ivory colossus at Olympia. The standing nude youth (kouros), the standing draped girl (kore), and the seated woman. All emphasize and generalize the essential features of the human figure and show an increasingly accurate comprehension of human anatomy. The youths were either sepulchral or votive statues. Examples are Apollo (Metropolitan Museum), an early work; Strangford Apollo from Límnos (British Museum, London), a much later work; and the Anavyssos Kouros (National Museum, Athens). More of the musculature and skeletal structure is visible in this statue than in earlier works. The standing, draped girls have a wide range of expression, as in the sculptures in the Acropolis Museum, Athens. Their drapery is carved and painted with the delicacy and meticulousness common to the details of sculpture of this period. The Blinding of Polyphemus. Polyphemus, a Cyclops, the son of Poseidon, god of the sea, and of the nymph Thoösa. During his wanderings after the Trojan War, the Greek hero Odysseus and his men were cast ashore on Polyphemus's island home, Sicily. The enormous giant penned the Greeks in his cave and began to devour them. Odysseus then gave Polyphemus some strong wine and when the giant had fallen into a drunken stupor, bored out his one eye with a burning stake. The Greeks then escaped by clinging to the bellies of his sheep. Poseidon punished Odysseus for blinding Polyphemus by causing him many troubles in his subsequent wanderings by sea. In another legend, Polyphemus was depicted as a huge, one-eyed shepherd, unhappily in love with the sea nymph Galatea. Cyclops, giants with one enormous eye in the middle of the forehead. In Hesiod, the three sons—Arges, Brontes, and Steropes—of Uran

Some topics in this essay:
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