One indication that strongly supports the assertion that Much Ado About Nothing is a Comedy is the title. In Comedy’s the title of the play is suppose to support a proverb that represents an ongoing theme in the play. In Shakespeare’s time the term “nothing” in the title would be read as noting. This makes great sense simply because throughout the play the characters would be taking notes, observing, and listening to each other in order to playfully make jokes and be deceitful. A great example of this is when Beatrice falls into a trap and begins to eavesdrop and note the conversation the women carefully concocte

Behold how like a maid she blushes here!

She's but the sign and semblance of her honour.

Another reason why the play can be considered to be a Comedy is the use of figurative masking, or counterfeiting. Some of the characters put on a false face and hid their feelings from each other. A example of this is when Leaonato, Claudio, and Don Pedro pretend that Beatrice and Benedick are in love so that there eavesdropping will bring about passion for each other. And then at the end, Leonato denies that Beatrice counterfeits her love for Benedick: “O God! Counterfeit? There was never counterfeit of passion came so near the life of passion as she discovers it” (II.iii.98-99). Another example of counterfeiting occurs at the wedding when Claudio claims that Hero’s innocence in counterfeit:

After thoroughly examining the play Much Ado About Nothing it can be easily deduced that they play is indeed a Comedy. The plays title, the use of figurative masking, the use of deception as a means to an end, and the way the play itself concludes aid to show that the play consists of the major elements indicative of a Comedy. Many critics have even gone so far as to say that Shakespeare’s Much Ado About Nothing is one of the greatest Comedy’s ever written. The fact that t

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