Announcer: What’s up? This is Nicole smith and you’re listening to the hit station 47.8FM, nothing but new stuff. Where into the second hour of this morning program. As it is the 10th anniversary of Strictly ballroom, we have decided to bring in the great director and producer of Strictly ballroom, “Baz Luhrmann”, to come and talk to us about his academy award wining film.

It’s a pleasure to have you in the studio this fine morning Baz, to discuss with us the use of images in Strictly Ballroom. So how are we today?

Baz: Thank you very much for the introduction, Nicole. It is such a pleasure to be here this morning. I’m feeling refreshed and wound-up to know that after 10 years, my film Strictly Ballroom is still seen as a master piece.

A: Baz, the opening of the film is very eye-catching to the viewer. It is familiar to me as the stereotypical production of a grand event, is about to occur. What gave you this very idea to create this form of an introduction to the film?

B: The red stage curtains have always been familiarized with stars, and that something special is about to happen. I have used this deliberate technique to build the

Well folks we are off to a break and me and Baz, will be back to you after a song by MxPx the “summer of 69” your on 47.8FM, nothing but new stuff.

A: TRUE! I can see where you are coming from Baz. I really envy those who can buy any old thing and look fab. These famous Hollywood stars earn salaries that people like me can only dream off. They have the looks and lifestyle but still constantly complained and winged about there physical appearance.

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